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Nutrition Information Lean Ground Beef 1 Oz

Photograph Courtesy: MGM/IMDb

From offscreen friendships and jarring pay inequality to the special effects and makeup tricks that brought some of the world's favorite film characters to life, The Wizard of Oz (1939) had so much going on behind the emerald curtain and the Technicolor gloss of an amazing fantasy world.

In honor of the 80th anniversary of the film, follow the yellow brick slideshow to peek backside that drape and learn more nigh the secrets and fun facts that make the beloved film a timeless classic.

Margaret Hamilton Was a Fan Before the Film

As a self-proclaimed lifelong fan of L. Frank Baum'due south Oz series, Margaret Hamilton was thrilled to be considered for a role in the 1939 film adaptation. Hamilton called her agent to ask which character the producers wanted her to play, and her agent famously said, "The witch — who else?"

Photo Courtesy: Publicity Photo from Goldilocks (Broadway)/Wikimedia Eatables; IMDb

Hamilton, a single female parent, fought MGM for an agreed upon amount of guaranteed piece of work time. Three days before filming began, the studio agreed to a five-week deal. In the end, Hamilton was on fix for three months, but many of her scenes were cut for being too scary for audiences.

Dorothy's Original Look Was More Motion-picture show Star Than Subcontract Girl

Sure, Dorothy Gale doesn't demand prosthetics or aluminum makeup, but that doesn't mean Judy Garland wasn't put through the costume department wringer. Although she was young at the time, the 16-twelvemonth-former Garland had to wear a corset-like device so she looked more like a preadolescent child.

Photo Courtesy: @DoYouRemember/Twitter

Director Richard Thorpe suggested Garland clothing a blonde wig and loads of "babe-doll" makeup (equally any preadolescent girl would…). Luckily, that vision of the graphic symbol changed. After MGM fired Thorpe, the intermediate director George Cukor nixed the heavy makeup and wig. Instead, he told Garland to be herself. Smart move.

The "Skywriting" Scene Employed Some Great Movie Magic

The Magician of Oz employs a lot of groovy picture show tricks, and some of the almost unique were used in the skywriting scene. In information technology, the Wicked Witch (Margaret Hamilton) flies above the Emerald Urban center, leaving the phrase "Surrender Dorothy" in her wake in blackness fume.

Photo Courtesy: MGM/IMDb; @WizardWasOdd/Twitter

Using a hypodermic needle, the special effects team spread black ink across the bottom of a drinking glass tank that was filled with a thick, tinted liquid (some speculate milk). They wrote the phrase in reverse and filmed the scene from below. Initially, the skywriting ended with the ominous "Or Die — W Due west W."

The "Snow" in the Poppy Field Was Actually Dangerous

One of the Wicked Witch's terminal-ditch efforts to impede Dorothy's quest to encounter the Wonderful Wizard of Oz involves a poppy field and some magical sleep-inducing snow. While many like to joke that the poppies and their drowsiness are the result of opium (a component of poppies), the scene has a much more blatant toxic connexion than that.

Photo Courtesy: @Stevodadevo2/Twitter

All that magical snowfall? Information technology's actually 100% industrial-grade chrysotile asbestos. Even though the wellness risks associated with the textile were known at the time, it was still Hollywood's preferred choice for simulated snow. Our advice to Dorothy? Don't catch whatever snowflakes on your tongue.

Scarecrow's Makeup Stuck Around for Awhile

In the terminate, Ray Bolger (Scarecrow) was probably grateful in more ways than i for Buddy Ebsen (the original Tin Man's) willingness to merchandise parts with him. The Tin Man'south aluminum makeup caused a huge corporeality of problems for Ebsen, who was replaced by Jack Haley.

Photo Courtesy: @PeterMacNicol1/Twitter

Although Bolger's makeup experience was better than Ebsen's, he still had some problems. The Scarecrow's makeup consisted of a rubber prosthetic, complete with a woven pattern that mimicked the look of burlap. Later on the film wrapped, the prosthetic left patterns on Bolger'due south face that took more than a year to fade.

Margaret Hamilton Was Burned On Set

In a burst of flames and red smoke, the Wicked Witch (Margaret Hamilton) vanishes from Munchkinland. Although the scene is terrifying for viewers, it may have instilled more fear for Hamilton. On the first take, the smoke rose from a hidden trapdoor too early.

Photo Courtesy: Yet/TheHorrorFreak/YouTube

For the 2d take, Hamilton stood on the trapdoor as planned, but her cape snagged on the platform when the burn flared up. Her copper-containing makeup heated upwardly instantly, causing 2d- and third-caste burns on her hands and confront. To brand matters worse, the crew tried to remedy her burns with (an even more painful) acetone solvent.

The Flying Monkeys Became Falling Monkeys

The Wicked Witch's legion of flight monkeys — or Winged Monkeys as they're chosen in the source textile — take certainly been a source of terror for generations. Almost as scary as the Witch herself, these henchmen soar onto the scene to kidnap Dorothy and Toto — thank you to the magic of pianoforte wires.

Photograph Courtesy: @shirfire218/Twitter; @41Strange/Twitter

Even so, the aerial stunt went awry when several of the piano wires snapped, sending actors plummeting a few anxiety to the soundstage flooring. To create such a vast troupe of monkeys (and cutting downward on human marionettes), filmmakers made miniature rubber monkeys to assist populate the heaven.

"Over the Rainbow" Was Almost on the Cut Room Floor

To no one's surprise, the American Film Institute ranked "Over the Rainbow" #1 on a listing of 100 Greatest Songs in American Films. But what may surprise you? The (arguably) near iconic song of Judy Garland's career was nearly cutting from the motion-picture show.

Photo Courtesy: @TheJudyRoom/Twitter

Studio execs at MGM thought the song made the Kansas scenes besides long. Moreover, filmmakers were concerned that children wouldn't sympathize the song's meaning. Luckily, this unfounded business organisation melted like lemon drops. Unfortunately, Garland's tearful reprise of the song was left on the cutting room flooring.

The Tin can Man Costume Didn't Allow Jack Haley to Rest Easy

Although Bert Lahr had to schlep around in a 90-pound lion costume, Jack Haley didn't accept it easy either. From the lingering concerns about the aluminum paste-based makeup on his face and hands to the minimal flexibility of the "tin" torso and arms, Haley faced some challenges.

Photo Courtesy: MGM/IMDb; @theforcedaily/Twitter

Reportedly, his costume was so stiff that he had to lean against a board to rest properly. Many years later, histrion Anthony Daniels, known for playing the protocol droid C-3PO in the Star Wars films, had the same issue with his rigid costume. It seems even fantasy and sci-fi can't aid folks escape all their bug.

The Original Tin Man Was Rushed to the Hospital

Initially, Buddy Ebsen was cast as the Scarecrow, but traded parts with Ray Bolger. However, Ebsen'due south new character, the Tin Man, acquired him a world of problems. Namely, the character's silver makeup contained a harmful aluminum grit that coated Ebsen's lungs.

Photo Courtesy: Pictured: Buddy Ebsen, left; Jack Haley, right via @HollywoodComet/Twitter; @JuanFerrerVila/Twitter

To make matters worse, Ebsen had an allergic reaction, and, unable to breathe, he was rushed to the hospital. MGM recast the role with Jack Haley (and changed up the makeup), but didn't explain why Ebsen "dropped out." Although Ebsen didn't appear in the final film, his vocals tin can be heard in "Nosotros're Off to See the Wizard."

A Stocking & Some Miniatures Gave Us the Tornado

The tornado that strikes the Gale homestead is total of practical special effects that really hold upwardly. The funnel itself was actually a 35-foot long stocking fabricated of muslin. The special furnishings squad spun it effectually miniatures that resembled the farms and fields of Kansas. Against the painted backdrop, the tornado looks menacing.

Photo Courtesy: @Dead_Ed_Lemmik/Twitter

The Gale house, which falls from the sky and into Oz, is simply a miniature house that was dropped onto a sky painting. Filmmakers then reversed the footage to get in look like the house was falling out of the clouds.

Hollywood Didn't Pay Up And so Either

Pay inequality has always been an issue in Hollywood. For example, Adriana Caselotti, vox of the titular character in Walt Disney's Snow White and the Seven Dwarfs (1937), fabricated $970 for her performance. The motion-picture show went on to make roughly $8 million.

Photo Courtesy: @WillHoge/Twitter; @NewYorker/Twitter

According to the Los Angeles Times, Judy Garland's pay was better than Caselotti'south — playing Dorothy earned her $500 a calendar week — but it still didn't reflect the film'due south success. Even more than discouraging, the folks who portrayed the citizens of Munchkinland were paid a mere $50 per week. (Meanwhile, Terry the dog earned $125 per week as Toto. A real yikes.)

Bert Lahr's King of beasts Costume Was Taxing

Originally, MGM thought it might cast its mascot — the actual lion used in the studio's title card — every bit the cowardly character. Fortunately, for the rubber of the actors and the beast, the filmmakers decided to cast actor Bert Lahr equally the anthropomorphic character instead.

Photograph Courtesy: @oldhollywood21/Twitter

To make a convincing brute, the costume section fashioned Lahr a ninety-pound outfit fabricated from real panthera leo skin. However, the arc lights used on ready made things a steamy 100 degrees during filming, which meant Lahr did a lot of sweating unrelated to his character'southward nerves. Each night, ii stagehands stale the costume for the next mean solar day.

The Initial Box Part Returns Were Uneven

The film started shooting in Oct of 1938 but didn't wrap until March of 1939, racking upwardly an unheard of $2,777,000 in costs. That's nearly $50 meg adjusted for inflation. Upon its initial release, the movie only earned $3 million at the box role — nearly $51.8 million past today's standards.

Photo Courtesy: @CitizenScreen/Twitter

Although that seems impressive for a Depression-era film, remember that Disney made $8 meg with Snow White and the Seven Dwarfs (1937). The Sorcerer of Oz'due south modest success in the U.S. barely covered production and film rights' costs — MGM paid $75,000 to the publisher for those — but success overseas fortunately bolstered the film's returns.

The Night Side of Oz in a Fourth dimension Before "Me Too"

Judy Garland was simply xvi years old when she was bandage as Dorothy. Insecure and lonesome, she became fond to amphetamines and barbiturates, which were oft given to young actors to help them sleep after studios shot them up with adrenaline and so they could work long hours.

Photo Courtesy: @ClassicMovieHub/Twitter

The spotlight — and her damaging contract with MGM — didn't aid, leading to her lifelong struggles with an eating disorder and alcoholism. According to a writer for Express, "[Garland] was molested by older men, including studio chiefs [and head Louis B. Mayer], who considered her little more than their 'property.'" Moreover, MGM forced Garland to stick to a wildly unhealthy diet of cigarettes, java and chicken soup.

The Vox of Snow White Had a Cameo

A few years before The Wizard of Oz debuted, Walt Disney's feature-length animated film Snow White and the Seven Dwarfs (1937) became a boom-hitting. Not only did the film revolutionize the animation industry, it also reinvigorated the fantasy genre.

Photo Courtesy: @commondsneyfan/Twitter

Disney wanted to follow up Snow White — and so the most successful flick of all time — with an adaptation of The Magician of Oz, only MGM owned the rights. By happenstance, Adriana Caselotti, who voiced Snow White, had an uncredited part in Oz. During the Tin Man's "If I Merely Had a Middle," Caselotti speaks her sole line, "Wherefore fine art k Romeo?"

The Ruby Slippers Are Props & Treasured Artifacts

Keeping in line with the volume, Dorothy's iconic footwear was originally silverish, but screenwriter Noel Langley felt the scarlet color would really pop in glorious Technicolor. Designed by MGM's chief costume designer Gilbert Adrian, the shoes are each covered in about 2,300 sequins.

Photo Courtesy: Top right: @Billboard/Twitter; Others: @FBI/Twitter

One of the remaining pairs is on view in the Smithsonian Institution'southward National Museum of American History. Since the display is then heavily trafficked, the museum has replaced the carpet in that location several times. Another pair were stolen from Minnesota's Judy Garland Museum in 2005, but the FBI recovered the slippers for the establishment in 2018.

Only One Sequence Was Filmed "On Location"

The Wizard of Oz is your archetype take chances story, and Dorothy'due south quest leads her from a Kansas farm to another world — consummate with corn fields, poppy-filled meadows and forests. However, despite all these scenic locations, most all the scenes were shot on a soundstage.

Photo Courtesy: @IEBAcom/Twitter; Pictured: This was the 400-pound, three-strip Technicolor camera Harold Rosson used on the picture.

Equally was customary at the fourth dimension, immense, detailed backdrops were painted by studio artists, making information technology possible for filmmakers to transport audiences to far away places without filming on location. In fact, the simply location footage in the movie is the opening title sequence — those clouds are 100% the existent bargain.

A Second Toto Was Brought In

Toto, played primarily by Terry, is one of the about beloved dogs in moving picture history. Terry was famously not a huge fan of special furnishings and can often exist seen running out of a shot when something loud or alarming happens — similar when the Tin Human spouts out all of that steam.

Photograph Courtesy: @FOSplc/Twitter

After one of the Witch's guards accidentally stepped on her, Terry was on bedrest for two weeks. Filmmakers went through two doubles to detect one that resembled the original canine actor more closely.

Fun fact: Judy Garland was then fond of Terry that she wanted to adopt the dog.

Margaret Hamilton "Mourns the Wicked" Witch

In improver to being a huge fan of the Oz books, Margaret Hamilton besides believed her character was more than just your run-of-the-mill evil villain. More than than 35 years subsequently the pic debuted, Hamilton, donning her Witch'southward costume to show kids it was make-believe, appeared on Mister Rogers' Neighborhood, where Fred Rogers interviewed her about the graphic symbol.

Photo Courtesy: Warner Dwelling Video/IMDb; @playbill/Twitter

Co-ordinate to Hamilton, the so-chosen Wicked Witch relished everything she did, but she was likewise a sad, alone figure. In short, things never went well for the frustrated Witch. Oddly plenty, the Broadway musical Wicked also takes this approach to the Witch'southward grapheme.

The "Horse of a Different Color" Was Made Possible Thanks to a Food Product

In 1939, audiences were just as amazed as Dorothy, Scarecrow, Can Human being and the Cowardly Lion when the horse in Emerald City took on a rainbow of colors. This "equus caballus of a different color" was made possible cheers to a surprising food item…

Photo Courtesy: @colleenkingd/Twitter

Jell-O crystals were used to color the horses, which meant filmmakers had to move rapidly — the animals were eager to lick upward the sugariness care for. But the colorful steed isn't the simply interesting component in this fan-favorite scene. The equus caballus-drawn railroad vehicle was once owned past President Abraham Lincoln and now resides at the Judy Garland Museum.

The Makeup Section Hired on Extra Easily

From the citizens of Munchkinland and Emerald City to the Witch's flying monkeys, so many actors had to undergo a makeup transformation in order to give life to this fantasy film. To keep upwards with the daily demands, MGM called upon workers from the studio mailroom and courier service to manage makeup stations.

Photo Courtesy: @CitizenScreen/Twitter

Since well-nigh of the Ozian ensemble required prosthetics, makeup artists — and "makeshift" artists — formed a kind of costuming assembly line. Most actors had to arrive before 5:00 in the morn — six days a week! — to begin the intensive process.

Memorable (& Ofttimes Misquoted) Lines Fill the Picture

The film is chock-full of iconic, memorable songs, and information technology has the great fortune of being responsible for some of the about quoted lines in movie history also. In 2007, Premiere compiled a listing of "The 100 Greatest Movie Lines" and placed a whopping iii of the motion picture'south lines on the list.

Photograph Courtesy: @DrSamGeorge1/Twitter

"Pay no attention to that man behind the drapery" was voted #24, while "At that place'south no place like home" nabbed the 11th spot. Finally, the frequently misquoted "Toto, I take a feeling we're not in Kansas anymore" landed in the 62nd spot.

The Witch's Fire Employed Some Technical Wizardry (& Juice)

Clearly, the technical wizardry — or witchcraft — in the movie is incredible. Like the "horse of a different colour" sequence, some other iconic, special effects-heavy scene harnessed the power of everyday household items to pull off fun tricks.

Photograph Courtesy: Warner Home Video/IMDb

Presently subsequently Dorothy arrives in Munchkinland, the Wicked Witch tries to snatch the scarlet slippers from the young girl's feet. However, fire strikes the Witch's hands, repelling her. This "fire" is actually apple juice spouting from the slippers in a sped-upwards clip to make it look more flame-similar.

Technicolor Required Some Ingenuity in the Props Department

Experimenting with Technicolor was office fun and part problem-solving for filmmakers. In order to properly capture scenes with the Technicolor photographic camera, the soundstage needed to be lit with arc lights, which often heated the fix up to a toasty 100 degrees.

Photograph Courtesy: @NicoleBonnet1/Twitter

Afterward the lights were fix, the experts experimented with what would look best on film, especially in colorized form. For example, the white part of Dorothy's dress is actually pink — but because it filmed better. And the oil the Tin Human being is so excited nearly? It's actually chocolate syrup.

The Wicked Witch of the E Makes More Than Ane Appearance

Part of the Wicked Witch of the West'due south beef with Dorothy is that the young girl dropped a business firm on her sister, the Wicked Witch of the Due east, who was the short-lived owner of the cherry-red slippers. Although Margaret Hamilton already plays both the Wicked Witch of the W and her Kansas counterpart Almira Gulch, she likewise plays the Wicked Witch of the East — if only briefly.

Photo Courtesy: MGM/IMDb; @DrSamGeorge1/Twitter

During the tornado sequence, an addled Dorothy looks out her sleeping room window and watches Gulch transform into a witch, her shoes shimmering. For fans, this glint indicates the witch outside the window is wearing the cherry-red slippers. The restored version of the film makes that shimmer fifty-fifty more noticeable.

The Film'south Running Time Was Cut Down Several Times

The first cut of the film clocked in at a running time of 120 minutes. Although that seems similar nothing past today's Marvel movie standards, producer Mervyn LeRoy felt information technology was long and unwieldy and wanted to chop off xx minutes.

Photo Courtesy: Pictured, left: Blanche Sewell, editor via @NitrateDiva/Twitter; ToonCreator/OzFandomWiki/Wiki Commons

Later cutting the famed "Jitterbug" number (peak right) and an extended Scarecrow dance sequence, the picture was 112 minutes long. LeRoy held a second preview screening, and, afterwards, nixed Dorothy's "Over the Rainbow" reprise, an Emerald Urban center reprise of "Ding! Dong! The Witch Is Dead," a scene where the Tin Man becomes a human beehive (Yikes!) and a few Kansas sequences.

Then Much for a "Wicked" Witch

Filmmakers accounted Margaret Hamilton's Wicked Witch of the West performance also frightening for audiences and cutting or trimmed many of her scenes. But not everyone thought her performance was terrifying — namely Judy Garland, who played the Wicked Witch's nemesis, Dorothy Gale.

Photo Courtesy: @WizardWasOdd/Twitter

Off-screen, the film's starring foes were actually friends. One story that emerged from the set described Garland excitedly showing off a dress to Hamilton, declaring she was going to vesture it for her graduation. Unfortunately, MGM'due south Louis B. Mayer sent Garland on a press tour the twenty-four hours of her graduation. Upset, Hamilton phoned Mayer and chewed him out.

Giving Credit to Technicolor

In the opening credits, the text reads "Photographed in Technicolor," as opposed to the more than apt "Color Sequences past Technicolor." The phrasing of the credits makes information technology seem as though the entire film was shot in color. Was this washed deliberately, or was it a minor syntactical imitation pas?

Photo Courtesy: @screenertv/Twitter

It'south widely believed this was a bit of a stunt done to enhance the surprise of the picture turning into full three-strip Technicolor when Dorothy arrives in Oz. Posters made at the time of the film's debut made no mention of sepia tint (or "black-and-white"), adding credence to this theory.

Ane of History'due south Near-Watched Films

Although The Magician of Oz proved popular in theaters, another flick released the aforementioned twelvemonth, as well directed by Victor Fleming, actually topped the box role. (Yous may have heard of that little movie — it'southward called Gone with the Air current.) Nonetheless, MGM's musical fantasy may have more staying power than other films of the era, cheers in role to re-releases.

Photograph Courtesy: @ClassicalCinema/Twitter

The film was first circulate on television receiver on November 3, 1956, and garnered an impressive 44 million viewers. It'southward believed that The Wizard of Oz is one of the 10 most-watched characteristic-length movies in film history, largely due to the number of annual boob tube screenings, theater viewings and various format re-releases.

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